Category Archives: prize

2017 Contemporary Women’s Writing Essay Prize Announced

 

We are delighted to confirm that the 2017 Contemporary Women’s Writing Essay Prize has been awarded to Elisa Serna-Martinez for her essay “‘She scrape she knee’: The Affective Politics of Scars as Agents of Female Caribbean Resistance in Opal Palmer Adisa’s Work.”

 

Two further essays were Highly Commended by the Prize Panel:
Amber West, “Through the Funhouse, Towards the Dead World: An Argument for a Puppet-Based Production of Adrienne Kennedy’s Funnyhouse of a Negro”
Stacey Amo, “Tasting Otherness, Othering Tastiness: Monique Truong’s Bitter in the Mouth”

 

Thank you to everyone who submitted work and congratulations to Elisa, Amber and Stacey!

IMPORTANT! Contemporary Women’s Writing Essay Prize 2017

Contemporary Women’s Writing Essay Prize 2017

Deadline for submission: 1st February 2017.

 

The journal of Contemporary Women’s Writing (Oxford University Press) is delighted to announce the launch of the 2017 Essay Prize.  The Contemporary Women’s Writing Essay Prize aims to encourage new scholarship in the field of contemporary women’s writing, recognise and reward outstanding achievement by new researchers and support the professional development of next generation scholars.

The winner of the inaugural 2016 Essay Prize was Mary Horgan for “About Change: Ali Smith’s Numismatic Modernism.” You can read Mary’s essay here.  Three further submissions were Highly Commended and will be published in forthcoming issues of the journal.

Prize

The winning entry will be:

  • Submitted for publication in Contemporary Women’s Writing
  • Awarded one year’s free membership of the Contemporary Women’s Writing Association, including one year’s free subscription to Contemporary Women’s Writing
  • Awarded a choice of Oxford University Press books to the value of £100Other entries of sufficient quality may also be considered for publication.

Entry Requirements

The Contemporary Women’s Writing Essay Prize is open to anyone currently registered for PhD study or within three years of completion.  Entrants may be asked to provide formal confirmation of their status.

Submission

Essays must be 7,000-9,000 words in length.  The deadline for submission is 1st February 2017.  The entry must not be under consideration for publication elsewhere.  Submissions must comply with the journal’s Instructions to Authors – click here to view.  Entrants must submit essays by the standard Online Submission procedures – click here to view.  Please ensure that you select ‘Essay Prize’ in the ‘Submission Type’ box.

Essays should meet the general aims and scope of the journal of Contemporary Women’s Writing – for more information please click here.  Please note that essays submitted for publication will be subject to the standard Peer Review process.  Entries will be judged by members of the Contemporary Women’s Writing Editorial Board and a member of the Contemporary Women’s Writing Association Executive Committee.

Dr Rachel Carroll

Reader in English
School of Arts and Media
Teesside University
Middlesbrough
TS1 3BA
UK

r.carroll@tees.ac.uk

CWWA Conference Bursary Winners 2014

The Contemporary Women’s Writing Association is pleased to support the scholarly work of those working in contemporary women’s writing internationally. We established a competitive scheme for the award of 2 bursaries each of £750, for PhD students and Early Career Researchers who have had their abstracts accepted for the 5th International CWWA Conference ’Women’s Writing and Environments’: 3-5 July 2014, Melbourne Australia.

Applications for the bursaries consisted of extended abstracts of 1000 words. The standard of contributions was impressively high and the range of issues focused on offered an interesting glimpse into the interpretation of contemporary women’s writing in 2013/4.

A panel of international judges from the CWWA carefully read and assessed the applications and decisions were made against the following broad criteria :

  • contribution to scholarship,
  • evidence of original research,
  • writing quality ie. a well organised, well argued and well written abstract which makes a contribution to the field.

The decisions of the judges are final.
The winners, runners up and highly commended are as follows:

Early Career Researcher
Winner – Maryam Mirza
Runner-up – Marina Mihova

Postgraduate
Winner – Calum Gardner
Runner-up – Lara Buxbaum
Highly Commended – Lydia Saleh Rofail and Lisa Sheppard

We look forward to seeing everyone at the conference in July.

Women’s Writing and Environments: extended deadline and ECR/PG bursaries

Women’s Writing and Environments: The 5th International CWWA Conference, 3-5 July 2014, Melbourne Australia

***Extended deadline for abstracts: 31st December 2013***

****ATTENTION ECRs and POSTGRADUATE STUDENTS****

CWWA is offering two bursaries (one ECR, one postgraduate) towards travel to Melbourne or conference fees, each of £750, for those who have had their abstract accepted for the conference in Melbourne in 2014.  Any postgraduate or ECR  who would like to apply for the bursary but has not yet put in an abstract and is a CWWA member has the opportunity to put in a 250-word abstract to Jessica Wilkinson atcwwamelbourne2014@gmail.com by 31st December 2013 and an EXTENDED ABSTRACT of 1000 words by Dec 31 to Gina Wisker, the current CWWA chair at g.wisker@brighton.ac.uk

The 5th biennial CWWA conference, ‘Contemporary Women’s Writing and Environments’ recognizes and investigates the importance of environments to women’s writing, and the contribution women’s writing makes to current thinking about environments. Taking an expansive view of ‘environment’, the conference will unite practitioners and scholars in discussion of the ways in which contemporary women’s writing engages with places, spaces, homes, cities, nature, workplaces, communities, publics, literary spheres and virtual worlds.

Papers and panels in English are sought on all genres of literary and popular writing since the 1970s, including: fiction, poetry, plays, nature writing, travel writing, life writing, theory, criticism, graphic novels, cross-media forms and writing for performance. The language of the conference is English, however the convenors welcome discussion of texts in any language (with translation). Papers and panels are also sought on the relation of writing on the environment to teaching and activism.

Possible topics might include:

· Ecocriticism

· Ecopoetics

· Environmental studies

· Women in academia

· Women’s writing environments

· Women’s writing and virtual environments

· The body as environment

· Literary architectures

· Women in the city

· Publishing environments

· Urban social geographies

· Gender and perception of the environment

· Ecological Feminism

· Activism and writing

· The page and the screen as environments

· Affective environments

Keynotes:

Chris Kraus: cutting-edge LA-based writer of fiction and art criticism, Chris’ books include I Love Dick, Aliens & Anorexia, Torpor, Summer of Hate and Where Art Belongs. She was awarded the Frank Jewett Mather Award for Art Criticism from the College Art Association in 2008. She also founded the Native Agents series for Semiotext(e).

Lyn Hejinian: A founding figure of the Language writing movement in the 1970s, Lyn is one of America’s foremost experimental poets. Her books of poetry include My Life, Writing Is an Aid to Memory, Happily, The Fatalist andThe Book of a Thousand Eyes. She has also published a collection of essays, The Language of Inquiry. She teaches at the University of California, Berkeley.

Deborah Rose: an Adjunct Professor in Environmental Humanities at the University of New South Wales where her research focuses on multispecies ethnographies in this time of extinctions. She is a founding member of the extinction studies working group, and of Kangaloon – creative ecologies – as well as co-editor of the newly formed journal Environmental Humanities. Her influential books include Wild Dog Dreaming: Love and Extinction, Dingo Makes Us Human, Reports from a Wild Country, Country of the Heart, Nourishing Terrains and Hidden Histories.

Kate Rigby: Australia’s first Professor of Environmental Humanities (Monash University), founding member of the Australian Ecological Humanities network and founding president of the Australia-New Zealand Association for the Study of Literature and the Environment. Kate is a leading Australian theorist of ecopoetics, and is co-editor of Ecocritical Theory: New European Approaches (U of Virginia P 2011).

________________________________________

contact email: 

cwwamelbourne2014@gmail.com

Conference website:
http://artsonline.monash.edu.au/the-book/cwwa/

________________________________________

Submission of abstracts or panel proposals:

E-mail the conference contact (below) with the following information:

· A 250-word abstract in MS Word (doc or docx) format

· Your full name as you would like it to appear in the conference booklet

· Contact information (email)

· A short biography including academic affiliation

· Audiovisual requirements

Please note that all presenters are required to be members of the Contemporary Women’s Writing Association.

Deadline:

Applications and abstracts: 31 December 2013** (final extension)

Notification of acceptance: January 2013

__________________________________

Contact:

Dr. Jessica Wilkinson

School of Media and Communication

RMIT University

Melbourne, Australia

Email: cwwamelbourne2014[at]gmail.com

Conference Venue:

State Library of Victoria

Melbourne CBD

__________________________

Conference Convenors:

Dr Jessica Wilkinson (RMIT University)

Dr Anna Poletti (Monash)

Dr Melinda Harvey (Monash)

Dr Ann Vickery (Deakin University, Melbourne)

Dr Cassandra Atherton (Deakin University, Melbourne)